Friday 27 March 2015


Introducing ‘American Dreams’, WoW’s Star Spangled programme of spoken word, theatre, film, discussion and debate. From Wall Street to Water Street, Liverpool’s literary links to America, and specifically New York, are mapped out and explored in a celebration featuring New York/US based writers, Innovative Theatre and bang up to the moment Spoken Word artists. Join WoW on a transatlantic journey through the wild, strange frenzy of the shared maritime history of these two iconic port cities.

Don’t miss our usual eclectic mix of high quality writers and artists in a range of events dealing with RACE AND FOOTBALL, FEMINISM AND ECONOMICS, GOVERNMENT BY DECEIT, LIFE IN GAZA, WOMEN IN THE MUSIC BUSINESS, AID IN SUDAN & JEWISH IDENTITY AND WRITING.
Our acclaimed PULP IDOL and FLASH FICTION competitions open the way for new writers to get published.

Look for big name announcements next week... 

Monday 23 March 2015

George Garrett Archive Project: New York - Drama and Paper


This application card for the Workers Dramatic League in New York seems a small item, 6inches by 4, asking for details of name address, contact details and desired area of activity – Actor, Electrician, Stage manager etc. The League address was at 64 South Washington Square in New York City. However its size belies what it reveals about George's history and way of working.
The fact that George had one of these cards signals his desire to get involved in the radical theatre scene in New York, and his strong attachment to the city. The WDL itself reveals a history of the period and the ideas that were prevalent in that scene....and a puzzle!

 Research seems to indicate that the WDL in NYC was actually another organisation –The Workers Drama League , a small difference but one that opens up a fascinating history. This organisation was founded in New York in 1926 by John Lawson, John Dos Passos and Michael Gold, and lasted for just under two years, though staging a range of productions from dram to concerts, with the emphasis on socialist ideas and arts. It saw the forging of what was a strong friendship between the three including supporting the Proletarian Artist and Writer League with Soviet support in the 1930s. However that friendship ended in 1939 during a bitter dispute over Soviet actions during the Spanish Civil War.


Research also shows there was a worker drama league based in Chicago.The card also highlights a perspective of the times George lived in and his constant need to write down thoughts, ideas, contacts and notes. George wrote wherever he could and with whatever was handy, and this card is no exception. There are notes and contact details and a quote on both sides of the card.

Items like this are truly fascinating in their origin and relevance. I have been in touch with two archives in the USA to try and track down details on the WDL, so watch this space...


Will Reid

Wednesday 18 March 2015

What's Your Story? by Janelle Ralph

This morning we received an email from Janelle, a participant in our latest What's Your Story? writing course. During this hectic time in the WoW office it brightened our day to know that someone enjoyed and benefited from the course so much. This is exactly what What's Your Story? is all about. 

The table at the entrance of my quaint local cafe was always overflowing with flyers. On this particular day, last August, I can only assume it was kismet that made me offer it a second glance. That’s how I saw the call for Writing on the Wall’s What’s Your Story? class for unemployed creatives. “Everybody has a story to tell,” the flyer cried. Yes! I do! Within an hour, I was registered. 

I went in with no expectations and an open mind. We were asked to think about what we hoped to achieve with this course. I think a lot of us were looking for something similar: Confidence. Our class ranged from poets to businessmen; from the young to the wiser; the published to the undiscovered. This eclectic mix meant I knew there was would be plenty to learn from each other. The comfort and trust we developed as a team allowed all of us to open up and be vulnerable with our stories.

It has been over six months and a new confidence has fuelled me. No, I don’t think I'm the most eloquent, brilliant writer-mind to emerge from society (yet). But thanks to What’s Your Story?, I'm now keen to share everything I write, no matter how rough or random, and eager for feedback to continually improve my skills. I used to put so much pressure on myself, believing I had to be perfect the first time around. I have now found the sheer beauty in making mistakes and learning from them; watching something clumsy and confusing evolve into a fluid and engaging story. 

An organisation that offers a free creative writing course every year is cause for celebration and inspiration. It comes from a place of passion and understanding that being a creative mind is not a gift we can stifle, and one that deserves to be encouraged and nurtured. I’ll admit, the pressures of this so-called Real World, and especially unemployment, had burdened me for a long time. This course and the support offered from WoW has shown me how to be true to my authentic creative self and what drives my personal passion. I have set writing goals for myself I wouldn't have dreamed of half a year ago; for example, I have promised myself I will enter WoW’s Pulp Idol contest next year!

As a group, we have been spoiled with the compassionate, versatile minds of Sarah MacLennan, Mandy Coe, Curtis Watt, Maurice Bessman, and Colin Watts who have taught us all how to engage our creativity. It’s far from a “Don’t Do That, Do This” classroom experience. Rather, they exquisitely work with an individual’s strength to bring out what each student has to offer to the world. And that’s the heart of What’s Your Story?: Every person who lives and breathes has a unique story to write that no on else is capable of telling. Writing On the Wall knows this and they have offered this encouraging platform to give voice and confidence to those who maybe weren't so sure of themselves. I will miss this class dearly, but I am so grateful for the indispensable connections I have made and the newer, stronger voice I have found.  
Janelle Ralph

Friday 6 March 2015

George Garrett Archive Deposit Event. Saturday 28th May 2015. Central Library, Liverpool.

A proud and historic week for the George Garrett Archive project was tinged with sadness at the death the previous week of Derek Garrett. Derek was the youngest, and the last surviving son of George Garrett. Derek was a great supporter of our project; his daughter Eloise told me her ‘dad was extremely proud of the project and the renewed interest in granddad’s works.’ Derek, along with his brother Roy, gave us one of our greatest moments of magic during the project when they spontaneously broke into singing the old Wobbly song, ‘Hallelujah I’m a bum’; proof if ever there was of George’s links to the United States, the union movement and the Industrial workers of the World (IWW, also known as The Wobblies’), as who else’s sons would have been taught ‘Hallelujah’ as a child? We are grateful to Derek, and Roy, for their support for the project and for being so generous, particularly when fighting serious illness, with their time. We were particularly touched that, as at Roy’s funeral, the George Garrett Archive and the pleasure it brought him, was also mentioned during the eulogy at Derek’s funeral. It was a pleasure getting to know them both and are sorry for their family’s loss.


On Saturday 28th February the family formally presented the George Garrett Archive to the Liverpool record office at Central Library. This is both a major achievement and a major addition to the city’s archives. It is also a key contribution to the record of working class literature and radicalism in the city.

Project Leader and writing on the Wall Co-Director Mike Morris introduced the afternoon events, which included time for the family to have a look at the archive before it was deposited. This led to much reading and discussion, with our ‘Garretteers’ on hand to discuss various aspects of the archive with the family. WoW Co-Director, Madeline Heneghan, spoke on the impact of the archive on WoW’s work, and how it has led to a new heritage Lottery funded project concerning a series of documents relating to Black seamen, soldiers and workers stranded in Liverpool and suffering racial abuse following WWI. Course tutor and project worker Tony Wailey spoke about the new writing developing from the project, and we were delighted to welcome Liverpool City Council Cabinet Member for Culture and Tourism, Cllr. Wendy Simon, who complimented the work of the project and welcomed the archive in to the city’s records.


It is just over two years since we won Heritage Lottery Funding to start the project, which was launched after one of Michael Garrett, George’s  Grandson, brought WoW a suitcase full of material which included among other things his Merchant Seaman’s his discharge books, marriage certificates and original writing.

Since then we have delivered a range of events and activities linked to the archive:

                    A 16 week course on Garrett’s Life and work attended by 20 people
                    A short film narrated by Alexei Sayle
                    A book – an introduction to George Garrett
                    An Installation designed by Liverpool John mores University Students that has been placed in various parts of the city, and was in the Albert Dock for two months, and seen by thousands of people
                    A two month exhibition of his archive at Central Library, again seen by thousands of people
                    Staged the debut of two of Garrett’s plays – Two Tides and Flowers and Candles
                    Held a series of public talks and visited schools and history groups
                    A comprehensive website

A key part of this project has been the engagement with and the support of a number of volunteers. They have taken part in the taught course and thereby gained knowledge of Liverpool’s maritime history and Garrett’s life, worked on the archive and gained skills in research, writing, curation, preservation, cataloguing and display, and have delivered the public workshops, and have gained skills and experience in public speaking and presentation. They have been a key part of the project and have earned their own collective moniker, ‘The Garretteers’. Without them we would not have been able to achieve all that we have done.


Although the Heritage Lottery funding has ended, we plan to continue the work on the archive. In May 2015. With the support of Culture Liverpool, we are:

Holding a series of Public talks about Garrett and his links to America, and then in June, in the basement of The Cunard Building:

Staging an adaptation of his short story, ‘the Maurie’, set aboard the Cunard White Star Liner, The Mauretania.

We also are working to get financial support to publish his completed but as yet unpublished autobiography, Ten years On The Parish, which is an outstanding account of his life and that of the Liverpool unemployed in the 1930’s. More details on these activities will follow shortly.

The handing over of the archive to the Liverpool Record office was a very satisfying day for all involved – WoW, the family, the ‘Garretteers’, and all those who worked on the various aspects of the project. We feel privileged to have played a part in preserving and disseminating the memory of the work and life of this this great writer, playwright and radical activist. Though George Garrett was a humble man, who, though proud of his achievements, went out of his way to avoid the limelight, we feel sure he would approve of the work of the George Garrett Archive Project.

Thursday 5 March 2015

Pulp Idol 2015 Competition NOW OPEN!

Liverpool’s unique Pulp Idol novel writing competition is now open for entries. Pulp Idol has now been responsible for getting eight new writers getting their work published by major publishers. Pulp Idol focuses on supporting new original voices and getting them heard. We provide a platform for up-and-coming writers, providing contacts with key publishers and agents.



Mike Morris, Writing on the Wall Co-Director, says,
‘If you want to be in with a chance of your first chapter being published and getting to read in front of a major publisher or agent, then you need to enter Pulp Idol 2015.’ 

Prizes include:  
• Getting your work read by an agent/publisher
• Publication in a collection of first chapters by Writing on the Wall. 
• The winner will have the chance to meet personally with a publisher/agent.